It was time to step away and invest sentences into the actual thing.
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Showing posts from 2014
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Now, as he aged, a certain cache of memories began to strike him as too absurd or outrageous to have actually occurred, and yet the very unlikelihood of the substance of these recollections is precisely what gave them a sense of credibility, despite the unreliability of his memory, because he knew, to his dismay, that his imagination would be hard pressed to create the lines, shapes and values of these particular shades.
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During the warm, sunny interim of the day, he often sat erect at his desk on the eighty-seventh floor like an android and stared out of the large plate-glass windows over the city and went to a place where although he could be seen and observed by the other partners and secretaries and visitors, if they happened to glance into his office, he couldn't be found.
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When he imagined having lunch with his favorite painter, it played out as follows: a lunch meeting at a shaded outdoor cafe, coffee, a light meal, a few brief casual remarks about a recent opening or exhibition, a beer, a newspaper, a convoluted inner monologue concerning the night before, a syncing of watches, a napkin, a handshake--as if old friends.
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The omnipresent amplification of music in all aspects of society--malls, elevators, gas station pumps, cafe patios, ipods, commercials, films, birthday cards, caskets--resulted in a "soundtrack without end", making life seem more like a take on a reality TV show or a scene from "this summer's greatest experience" than the real deal: made him wonder in moments of unbelievable and unexpected silence if he was in fact asleep and struggling somewhere in his subconsciousness to inform himself that "it [was] only a dream."
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He had carried Salinger's Franny and Zooey around in his backpack for about a year and a half, just before turning twenty, pulling it out and skimming passages from it when he had found himself in empty bus stops and sterile train stations, or when he was just plain bored in a library study carrel or a bagel shop, knowing eventually he would inevitably suffer the same spiritual and existential breakdown and wind up on the Glass family's Manhattan living room sofa--minus a lecture from Zooey, of course, in his case (he wouldn't be that fortunate)--Franny's beloved cat, Bloomberg, nudging and pawing his chest and sniffing his breath and purring in his face, with any luck.
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They had often talked about forming a band during their student years, while at dinner, or while lying about the dorm, or while walking across campus, but none of them had actually had any talent, and they couldn't have been convinced that they collectively possessed enough good looks to fake it, as evidenced by a lack of anything vaguely resembling romance, or even squalor, in their uneventful daily lives.
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His grandfather had taken him, a true city boy, to his cousin's flower farm when he was young and he'd hated it, the isolation of it all, the sickening vegetation, but now he could see himself living in the middle of a flat plowed nowhere where the only protection was the vast open absence of protection, and the brown cloud of someone approaching could be spotted two or three miles away, giving him plenty of time to grab his poetry, set the fire and run.
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As the siren grew louder in the neighborhood and interrupted his morning coffee and the serenity of his mind which had been stuck in that moment preceding the moment the blossoming siren had first pushed through a needled, leafy barrier of stagnant thought like a crocus in the flower bed (he'd been staring at the damp lilacs just beyond the front window made deeper in purple hue by the morning rain), he silently promised someone, anyone, that he would return to looking, remembering against his will what the great American poet had written: No idea but in things.
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In the fifteen seconds that it took a thousand pounds of dynamite to implode the 19-story Genesee Towers in the heart of downtown Flint--a city in more than dire need of rebirth and revision--he saw roughly three years of the worst and happiest time of his life flash before him and leer at him within the massive, abstracted clouds of dust and debris.
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He got that tedious, mind-numbing housework, such as dusting inconspicuous nooks and vacuuming untrammeled areas of carpet and scrubbing linoleum floors that didn't look clean afterward, going hard in rooms upon which one could easily and satisfactorily close the door--the ridiculous, absurd battle with Nature insubordinate to no one and no thing--had to transpire every once in a while, but he knew that deep down, he equated it with madness, and therefore never willingly participated in this kind of activity, though sometimes underwent the trauma of it all for the sake of love.
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He implored the architects of the present day to send him an email revealing whether listening to Spotify at the table in the dining room while the water in the dishwasher churned and the sun bathed everything with a surface was possibly just as worthy an endeavor as making money or art, despite the vast gulf between the two.
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Coming up and out of the neighborhood, as if it were Fitzgerald's valley of ashes, or Homer's underworld, he had the sudden urge to hurl his refill mug as far as he could, because he could--though really the culture had paralyzed such impulses for better or worse at a very young age--thus walking naked and unencumbered, although fully clothed, freely and truly as intended.
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You would think that flinging the laptop from the Eiffel Tower, or into the Grand Canyon, would provide more than adequate satisfaction, but it wouldn't do at all, it wouldn't come close, because such a ridiculous height wouldn't provide the ultimate, necessary experience, which was in fact the end of the line; no, what he really wanted was to drop the damn thing from a parking ramp, maybe three or four stories high, so that he could still see and hear its demise.
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The feather drifted high and low on the current of the breeze, seemingly in slow motion, before landing in her lap as she sipped lemonade, languidly reclining in a chaise lounge in golden splendor behind a dark pair of sunglasses and capturing all of the afternoon sun, as if feather and sun and time were hers, and hers alone.
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He forced himself to look and see, insisting that his sight pass over as much as possible, the term "much" encompassing many things, including things he couldn't actually name, or things that he didn't realize he was actually seeing, and all the shades and hues were made more substantial by the dampness of the early morning rain.
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She was able to exhaust life just as thoroughly as travel from her bed or from the couch when necessary, or when she preferred to remain in one place, perfectly still, staring calmly out a window, her rich imagination traveling at break neck speed, a book of poetry splayed open on her chest as she drifted off to sleep.
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It was as if she and the sun had been going for a walk, the lilac bushes near the cafe beginning to bloom, behind the fogged glass the regular customers lined up for coffee, the garbage trucks groaning from within the depths of the neighborhoods, the traffic making the damp streets sing, the sun leaning in to murmur in her ear as with each step, as the morning began and the sun continued to climb, her confidence soared.
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The combined effects of her late-morning dream, which by now was only the vague outlines of a one-act play she couldn't recall--a muted, faded drama she had perhaps never seen but had only heard from the vestibule of her youth--and the malaise of a Sunday afternoon, which she recognized as a remnant from her pollen-filled Catholic childhood, almost always resulted in an anxious desire to go for a walk through the neighborhood in search of what felt missing, as if she would know it when she saw it while each twig, each stone, the anemic lawns, each porch, each storm-dirtied house, the dull cars parked along the curb, the abandoned toys, each stride, each swing of her arm served to rebuild her confidence.
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The effects of the dream persisted well into the afternoon like a determined clump of yellow crocuses inconspicuously thrusting upward toward an ambiguous, noncommittal cornflower blue sky, disrupting an unnoticed arrangement of pale, dead, matted leaves at the base of a telephone pole, something only an artist or photographer would catch, the feeling of a lack, of missing a flight, of losing a wallet, of being told over the phone that the relationship had run its course growing steadily like the strength of the sun, the shortening of the shadows, until the weight of it, the significance of everything unnameable and beyond reach, hung directly overhead, pushing down on his brow, neck and shoulders while he sat on the patio sipping his coffee.
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Something odd was happening during the night, the resultant outcome extremely vivid dreams (some rearrangement of the vase of flowers, mostly tulips [which was how he thought of reality, and therefore memory] which reversed itself ever so slightly, although never completely, in the morning, like a glass half-full of water being picked up and set down on the opposite side of the night stand by a ghost, leaving him with a vague sense of having been manipulated by internal and external forces to which he had never been formally introduced).